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Some examples are in, out, under, over, after, out, into, up, down, for, and between. Preposition - A preposition is a word that shows position or, direction. Some examples conjunctions are: and, but, or, nor, although, yet, so, either, and also. It tells what kind, how many, or which one.Ĭonjunction - A conjunction is a word that joins words or word groups together. It may stand for a person, place, thing, or idea.Īdjective - An adjective is a word that describes a noun or pronoun. Proper Noun - The pronoun is a word used in place of one or more nouns. Nouns are the subject of a sentence.Ĭommon Noun - A noun that does not name a specific person, place or thing. Noun - A noun is a person, place, thing, or idea. They tell how much, how often, when and where something is done. These myths of the black superwoman have helped shape the negative perceptions of them.Verb - A verb is a word that expresses an action or a state of being.Īdverb - An adverb describes how the action is performed. Historically, Wallace (1979) asserted that the myth of the black superwoman essentially consists of stereotypes deeply rooted in slavery, or the idea that although 'lazy' black women are able to do more physical labor than the average woman, they consistently sacrifice themselves for others, have no emotion, and are really just 'men.' She asserts that the matriarchal structure of the black family led by a strong black woman during slavery is often credited for the emasculation of the black man and subsequently the dysfunctional nature of the black family. After looking at the lyrics of other songs, I found that rap lyrics are particularly interesting because they often juxtapose positive portrayals of an 'independent woman' with negative ones of a 'gold-digger.'

That was when I decided the glamorous 'independent black woman' depicted in popular music is a misnomer. I personally became interested in the topic at a concert during which an artist described his idea of an 'independent woman.' I looked at the women in the audience who were praising the song, and I wondered how many of them, like me, were overworked single mothers struggling to pay bills while raising children alone and trying to look appealing. This variance in opinion underscores the importance of studying the phenomena of the 'independent black woman' in the twenty-first century. Both are distinct from those featured in popular music, which often describe the 'independent woman' as someone who is wealthy, beautiful, and domestic.

Portis' depiction of independence is different from Shante's vision of independent women mentioned at the beginning of this essay. She adds that independence discourages relationships as people begin to believe they can do everything alone, so they do not need a mate. In the video, she asserts that independent women do not need a pat on the back for doing what grownups are supposed to do: pay their bills, buy houses and cars, etc.

black women have never been married and are 'independent' because they focus on achievement, often waiting too long to compete for the small number of black men who are equal in status (Johnson, 2010). Portis, an entrepreneur and former single mother, offers her opinion on statistics showing 42% of U.S. She supports herself on her own entirely and is proud to be able to do so.'Īnother depiction of independence is found in Tina Portis' video clip titled the 'Deception of the Independent Woman' posted to YouTube in 2010. The definition of an 'Independent Woman' in the Urban Dictionary, a predominantly African American written and defined Web site, is 'A woman who pays her own bills, buys her own things, and does not allow a man to affect her stability or self-confidence. Rapper Roxanne Shante's 1989 rendition of 'Independent Woman,' explored relationships and admonished women not to dote on partners who do not reciprocate or to buy into the fairytale dream that a man would always take care of them.

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